Monday, September 23, 2013

Korean Reunification

Despite some of the drastic differences between North and South Korea, the goal of reunification looms large over both halves of the peninsula.  We are already well aware of the political, economic, and cultural nature of these differences, and how a 60 year period of isolation has solidified them.  What, according to the reading, are some of the different possibilities for reunification?  Which ones seems more plausible?  What are some of the items at stake?

It may help to think of other instances of reunification from history--consider Germany, and even the North and South United States to help you grasp the concept.

Friday, September 20, 2013

Reasons behind American involvement in Korea

In the readings over the weekend, we read about differing positions as to whether involvement in Korea would thwart a potential third World War, or whether Korea's fall to communism would have minimal effects, so long as Japan, Taiwan, and the Phillipines remained under the United States' sphere of influence.  What is your position on this issue?  Do you think, now that you know how Korea ended, that the US and the UN made the right move by intervening in the Korean conflict?  Does Truman's reference to past events (large empires intervening in more vulnerable countries) carry weight in the answer to this question?

Thursday, September 19, 2013

Korea: The Changing Views of War and the American Presidency

NSC-68 was outlined in your optional reading, but not in the excerpt from the IB text, so Secretary Acheson's defense may have been the first you have heard about it.

In short NSC-68 was a paper written by the UN Security Council that placed the policy of containment at the forefront of foreign policy.  It stated that it was the responsibility of the government to not only 'contain' communism where it lay, but also it should take measures to thwart the potential for Soviet influence on other countries.  NSC-68 justified US intervention in Korea and further solidified the US and the USSR as enemies.

The era after WWII redefined the notion of war and broadened the scope of executive power.  How do you view Truman as not only the spokesperson against communism but also as the conductor--the person who actually commands ideology into action.  How is this a change from earlier presidents?

Wednesday, September 18, 2013

Korea: The First Test of the Containment Policy

Remember that Paper 3 topic that probably few (if any) of you chose?

  • Assess the policies of President Truman, containment, and its implications for the United States.
This question was difficult because we understood what containment was, but how do you really describe it without coherent examples, or an actual case where the US took definitive action in order to 'contain' communism.

How does the Korean War actually show the containment policy in action?  Were there any limits to the ways in which the United States and United Nations would implement containment into military strategy?

Friday, September 13, 2013

"You're next!" The "Us vs. Them" Mentality of Cold War Culture

You need to watch the ending in case you missed it:


The surprise twist ending: Nancy has survived the pod invasion, but Matthew did not.  The bloodcurling zombie scream he emits is his way of alerting other duplicates to a human presence.

So how does all of this relate to the Cold War?  Consider the ways in which Truman's Policy of Containment, as well as the McCarthy Era attempted to identify an "other" as the enemy.  Relate your understanding of the film to the historical context.  In what ways do you see the American government identifying and rejecting an "other" in their policies?  What was the threat posed to American society after the war?  Do we still see such fears and threats posed to our society today?

Thursday, September 12, 2013

Is culture influencing the government or is the government influencing culture?

Our reading on theater suggests that the entertainment industry had a certain amount of independence from politics.  That is, they could subtly insert a message into their writing to critique or satirize the Cold War or Communism.  However, this is not permanent, as we see playwright like Arthur Miller face HUAC's interrogations.

But also, the government seems to be catching on to the large sphere of influence that entertainment (especially film and television) can have over American thought.  How does the government start to adapt media-like policies to send its own messages across?  Why, then, does the government focus so strongly on education?  Does the government see it as having a similar influence to entertainment?  How so?

Wednesday, September 11, 2013

The Role of American Theater

Towards the end of the reading, on p. 222, the author calls playwrights 'brave and united' in their stand against the McCarthy hysteria.  Indeed, some playwrights themselves faced HUAC investigations and potential blacklisting for the content of their writing...even if it was a satire or critical commentary of the general era of suspicion.

Do you still see art as 'ahead of the curve' when it comes to critical social commentary?  Can you think of things like books, TV shows, and films taking a bolder step towards criticizing the government before other organizations can?